Why Don’t I Feel Like Sewing?

So it’s been a hot minute but I’m back at 5am (because for some reason that is the golden blogging hour for me!) because the blog is my favourite space to write and think about my sewing journey. In particular I want to talk openly about the fact that right now…I don’t really feel like sewing.

It feels like sacrilege to say because if I can’t or don’t want to sew then what on earth am I meant to talk to all you lovely folks about? Is it maybe more important to show up publicly and say that “I don’t feel like sewing” so that we normalise the fact that for 99% of us, this is not our job! I’ve had lulls in my sewing motivation before and usually all I need to do is tidy my sewing space, go stroke some fabric, and away we go. However this time feels slightly more existential and I think I know why.

All New Patterns Look The Same

So it turns out that it’s not just me! I shared this feeling on YouTube and loads of you responded saying that you’d noticed this as well. In the past 5 years I’ve noticed a shift away from brands having a specific style of patterns and towards patterns that align with high street trends. Look, I get it, sewing patterns can be expensive to make and you want to be sure your pattern will be bought however I think its ridiculous to charge £20-25 for an elasticated tiered dress or a shift dress with nothing else to it? Where are the fun, creative, interesting patterns? Where is the style? I would even take well drafted elevated basics at this point but it just feels like every pattern is the same.

I’m Enjoying My Me Made Wardrobe

This is an important thing to note. We make all these clothes but I think sometimes we forget to actually spend the time to wear them and style them and love them and make them a part of our wardrobe. Although I haven’t been sewing tonnes of clothes, I’ve been having a great time creating capsule wardrobes for trips, styling old garments new ways, and generally just adoring my wardrobe. I don’t want to make things, wear them once “for the gram”, and then never touch them again. That seems insane to me? I want to add pieces to my wardrobe and yes it’s important to note that not everything you make will be a long term addition to your wardrobe, experiments fail and some garments will never get worn again, but I think its important to think about what you want in your wardrobe as well as what you want to sew.

I Need A Challenge

Spending 11 months designing and making my own wedding dress was a challenge. Both mentally and technically it was a true challenge. I drew the design in my croquis book, I adapted and changed pattern pieces until they were unrecognisable, I did 5 different toiles to get the fit perfect. I bias bound seams, covered and hand sewed 36 self covered satin buttons, and built a whole supporting corset from scratch. It was difficult BUT it was incredibly fun! I loved the mental challenge. I loved having to sit and think, “Now how on earth am I going to do that?”. I’ve really noticed the lack of this challenge in my sewing since finishing my wedding dress and I think its time to bring it back.

So…what am I going to do about my general sewing malaise?

More Creative Projects

Making my wedding dress last year showed me that I can take on big design projects and not feel overwhelmed by them. I’m going to start making the garments that pop into my head! One example of this is the top I made for Sabrina Carpenter last week. I had this idea for a floaty 1970’s-inspired top and decided to use the silk that had been languishing in my stash for a couple of years. I sketched it out, chose a pattern as a base (because I’m not up to drafting from scratch just yet!), hacked it to pieces, and behold from the bodice of the Cashmerette Roseclair Wrap Dress I have created this brilliant top (above) and goodness me was that fun. There is another dress that is sticking in my mind that I think is going to require a little more work to bring to life but I am up for the challenge so head over to instagram to see how I get on!

More Small Pattern Companies

I’m going to push the boat out a bit and start trying some small indie pattern companies. I’ve had great success with companies like Size Me Sewing and Cinnamon Daisy in the past and this year I’ve also discovered NH Patterns which has been great. Lots of you have made some suggestions on YouTube that I’m going to look at as well!

I know this isn’t a super positive happy blog but I think it’s important to use this space as I originally intended and chart the reality of my sewing journey. I’ve grown a lot in the past 5 years in this space and I look forward to another 5 at least but its never a bad thing to take stock and think about what I want to be making, why I’m sewing, and what role I see my sewing taking in my life!

Hope you enjoyed this little catch up, I’ll try to be around here more often but you can find me on YouTube weekly (ish) and on Instagram at all times!

Fabric Friday Review: Higgs & Higgs Fabric

It’s been a few years since I’ve written a fabric shop review as frankly I ran out of fabric space so I had to start sewing the fabric from the shops I’d been reviewing. It’s a nice problem to have but not one that is easy to blog about I’ll be honest. However when Higgs & Higgs asked me if I’d like to review their online shop I jumped at the chance because I adore their fabrics! Every single show I go to that Higgs & Higgs is at, I end up buying something. It’s like a compulsion. Their stalls are always beautifully laid out and they always have a good selection of cosy knit fabrics (my winter kryptonite) so honestly it’s a foregone conclusion. What I’m slightly ashamed to say is that I didn’t know they had a website! So lets talk core details:

Higgs & Higgs

  • Online Shop / Physical Shop / Both
  • Web Link: https://higgsandhiggs.com
  • Core Purpose: Dressmaking, Upholstery, Haberdashery
  • Unit of Sale For Fabric: 0.5m / 1m / 2m / custom amount

Now let’s get the difficult bit out of the way, yes Higgs & Higgs have asked me to review them and they have sent me some fabric of my choosing. However*, as always all views are my own. Whether I’m sent fabric or a sewing machine to review I will always be 100% honest. I also do freelance website improvement reviews for fabric shops that are not published on here so you’d best believe I will always be honest about my experience. So ‘how will this review work if you’ve already been sent the fabric?’ I hear you cry, well it’s going to work like this. I get to pick the fabric so it will be the standard approach I take to web fabric shopping. I will go through the whole website, try to find fabrics I want, go through the selection to put them in my basket to see how that works, I will report on pricing, delivery, etc as normal, and then once they send me the fabric I’ll report on delivery, quality, packaging etc. So basically, I’ll do what I always do, it’s just on this occasion very kindly Higgs + Higgs will have gifted me the fabric.

Fabric Types

Higgs + Higgs stock a brilliant range of fabrics for dressmaking, upholstery, and quilting, plus they stock bias-binding and haberdashery so they make a great one stop shop. In terms of price the most affordable fabrics are as you would expect the cottons at £6.99pm with the upper end at £27/28pm for wools. In terms of fabric shops generally I would say they are middle ground in terms of affordability across their range of fabrics and we should also note that the quality of the fabric is reflected in the price.

This time I had a specific project in mind so choosing my fabric was really challenging because there are so many good autumnal fabrics. You all know I love a knit but on the other hand I’ve been wanting a white/cream denim midi skirt as a transitional piece. So my core choices were either the Luxe Faux Angora Cable Knit in Black or the Snow White 7oz Stretch Denim. In the end I decided as we are heading into Autumn/Winter I wanted to go cosy and chose the Black Luxe Faux Angora Cable Knit to make something I could wear in the office or at home. Although on this occasion my fabric was gifted I did see the payment process through to give it a test. Overall its what you’d expect from a payment system, I like that it’s integrated with Apple Pay for a speedier checkout, and unlike a lot of other websites the discount code box is obvious and the interface is clean and simple to use.

Overall the fabric buying process is very smooth. I like the standard measurements of 0.5m, 1m, 2m, as well as a custom option for the length you would like. The minimum is 0.5m but you can buy fabric 10cm at a time. There are a nice selection of capsule wardrobe patterns and a well-stocked haberdashery. In terms of delivery it’s £3.50 for orders under £50 and free delivery over £50 and it’s a pretty speedy 2-3 day. Not the most expensive delivery, particularly post-covid where I know courier prices have skyrocketed, but worth bearing in mind. My fabric arrived in less than 48 hours, it was well packaged, and arrived in great condition. Given the breadth of fabrics I’d recommend getting your moneys worth on free delivery and buying your bulkier autumnal and winter fabrics in one session.

Website Design & Functionality

The website is easy to use, the refresh and page load rate is really good. Why does this matter? Because when you have 15 tabs open of different fabrics it means that website still loads quickly which makes fabric shopping that bit easier. The only slight irritation I would note is that the side menu isn’t optimised which would be a good thing to fix to make navigation even easier. There are a couple of broken links but that is fairly common for websites with a high number of fabric types that change regularly. However that being said, I really like the search functionality from the top bar and its clear that effort has been put into the web design to ensure its easy to browse the full catalogue of fabrics while also being able to break down into sub-genres of fabric type and even patterned or plain within those typologies. They stock so many types of fabric that being able to search in this detail is a godsend.

When scrolling for fabric, you can filter by price or popularity which is helpful. I also love the detail on every listing with fabric information, good photo quality – and yes I partially wanted to get black fabric to see how the photo matched the reality – this is a review after all. Each fabric landing page has suggestions for what you could use it to make and there are not only detailed fabric composition stats but there are also washing instructions which is brilliant and greatly appreciated. Particularly for this upcoming project as I’ll be working with a faux Angora knit that I do not want to ruin it by accident!

So you guys know the score or you will in a second! Let’s do the round-up.

Review Score:

  • Range of Fabrics: 9
  • Cost: 7
  • Delivery (Speed/Cost): 7
  • Ease of use: 8
  • Ease of payment: 9

Total Average Score: 8/10

Overall I am impressed with Higgs & Higgs, they are an excellent one stop shop and I look forward to visiting them in person next time I’m over that way. I like the range of fabrics, I particularly like their new quilted fabrics which would make an amazing Pogonip Pullover or a Megan Nielsen Hovea Coat, and I love the amount of effort they put into telling you about each fabric. Head over to their website to have a nosy at their stock and if you are ever at one of the sewing shows look them up and see for yourself! I never leave without at least one new knitted fabric.

2 Months To Go: Reflections On Sewing My Wedding Dress

Did I take a 9 month break from the blog intentionally? No. In fact, I don’t think I ever really announced this on the blog but I am getting married this year! Alongside the PhD, PTVL teaching, my other job as an Analyst, the podcast, sewing, running, and everything else, I decided to sew my own wedding dress. Hubris right? Well not only that but in fact I am sewing;

  • My Wedding Dress
  • My Evening Wedding Dress (I can’t dance in a long dress, I will fall over! Plus this can be worn in the future more easily!)
  • Four Bridesmaids Dresses
  • Four Ties For Groomsmen
  • A Shirt For Adam

So it’s two months to go, and most of the above list isn’t complete; although I did reach what I think will be the final full toile of my wedding dress last night – still a couple of bits to fix but we are 99% there. Am I stressed? Well yes and no. Obviously two months isn’t a desperately long time. However I am an extremely speedy sewist so I’m not too worried about it all. My main stress until two days ago was the all of the shades of velvet I’d carefully chosen were out of stock for my bridesmaids dresses. Fear not! It’s my own fault for trying to buy it in August. Now that it’s September all the velvet is back in the shops and I’ve ordered what I need so we can get going with those when it arrives. So why am I writing this blog? Well for one thing I have steroid insomnia and I woke up at 4:30 in the morning thinking about my wedding dress sewing experience. The main reason though is that I don’t think we speak enough about sewing your own wedding dress as a project. It seems mystic and far off when the reality is that if you’ve made an evening dress, you’ll probably be able to manage a wedding dress. Nonetheless it can be a taboo subject so I thought it might be useful to share my thoughts and tips for anyone who wants to give it a go.

Top Tips For Sewing Your Wedding Dress

To be clear this is not going to be a highly technical blog about basting, seam finishes, and sewing techniques. Not only are those things radically different depending on the style of dress you choose but also that’s not really what you need to know about sewing your own wedding dress. The fact you may need to look up how to finish a seam is not what will get on your nerves. Wedding dresses are inherently emotional projects. They are also prime real estate for anyone who wants to tell you how you should be sewing your dress. Avoid those people like the plague. The tips I want to share with you are more mindset based. They are to help you through the minefield and hopefully show you by the end that it’s okay to do this exactly how you want to regardless of anyone else’s opinion.

It’s Your Dress.

This sounds glib but at the end of the day the only person wearing this dress is you and even then you’ll only be wearing it for about 12 hours. That means your priorities should be (in this order); comfort, practicality, looking beautiful. Pleasing others is not and should never be on this list. Brides look beautiful when they feel beautiful, not when other people tell them they look it. I once worked a wedding where the bride was 4’11” and as a result she had chosen a stunning 1950s style knee-length fit and flare dress. She looked radiant and it suited her to a tee. Just before she went to walk down the aisle, her mother turned around to her and said ‘oh I wish you hadn’t chosen that dress’ and the bride looked distraught. Her mother went off down the aisle with a groomsmen and I pulled the bride aside for a chat (the role of an event manager can be extremely varied) and I asked her to tell me why she’d chosen this dress. She started telling me how self-conscious she felt about her height, the fact she hates long dresses, how much she loves to dance, how her and her fiancé enjoyed going to lindyhop and swing dance classes, and how unique she felt in her dress. As she told me she became much brighter because she truly loved her dress and felt beautiful regardless of the wisdom her mum had decided to impart. It’s about how you feel in your dress and if someone says to you ‘oh I’m not sure your dress is quite you’ or ‘I would have worn X’ feel free to tell them to wear that to their own wedding or my personal favourite comeback ‘its a good job my wedding isn’t about your outfit’. If you want to feel slinky and svelte? Do it. If you want to live your cinderella dreams? Crack on with my blessing. If you want to go simple and loose? Enjoy! You generally get one chance to sew your own wedding dress, so do it the way you want to, and do it with style.

Only share your progress with people whose opinion you trust.

At the end of the day, sewing your wedding dress is a whole different ballgame to buying one. When you buy a dress you have the stress of finding something you feel perfect in, and to be clear, I’m not minimising that. Saying ‘Yes’ to the perfect dress is not the stress-free single trip that we are led to believe. But. And its a big but. Sewing your wedding dress even if you are using a pattern out of the box will still be more challenging because you have to go through the ugly duck phases where the bust isn’t right or the satin is pulling or the lace isn’t behaving, or the pattern is drafted for someone who is 6ft 4 and you need to adjust it. So as you are going through all of this there are two types of people you may want to show it to; people who sew and can give you genuine advice when you are stuck, or, very close friends or bridesmaids who have no idea how to sew and can just be your personal cheerleader. However when it comes to people who can’t sew here is a word of warning, choose someone who will just be lovely and happy that you are sewing your dress. Do not show your progress stages to anyone who is likely to say any of the following; “I don’t like that bit; why does it look so weird in x place; are you sure you want that design feature; I think it would be nicer if it looked like x; is it supposed to do that?” The progress stages are your proof of concept, your workthroughs, and what you don’t want to do is have your elation at progress dampened by people who think its rubbish because they don’t know these stages are very standard in a sewing project like this. When it comes to people who do sew, just make sure you are clear about the stage you are at and the type of feedback you would like to receive. Tell them it’s a first draft or tell them ‘I just can’t get the fit on my hips correct, can you help?’ but its important to be clear about the feedback you would actually like to receive or else we risk returning to Outcome O. So named(by me) because it turns your pride and elation into ‘oh’ and makes you not want to keep sewing.

Try on every wedding dress you can get your hands on.

A harsh truth of wedding planning whether its venue, flowers, or your wedding dress you will think you want one thing and then you will hate it. The issue is when you are making your dress its a lot of time and investment to put into something you think you will want to wear. When I first went wedding dress “shopping” or ‘our market research trip’ as my mum and sisters referred to it, I tried on every style, every colour, and realised quickly that although your wedding is the chance to wear the dress of your dreams, its also one of the few days that is totally yours. It’s for you and your partner to celebrate a beautiful life event and as a result you want to be comfortable, practical, and feel your best. It will be of no surprise to any of you that my dress is not a confection of tulle and petticoats. But! I had to try on dresses like that just to make sure it wasn’t what I wanted. I tried on the most stunning and enormous dress. It was beautiful, I felt like a princess, and in the photos I look gorgeous. In reality it was a standing still dress. It looked incredible stood on the box in the bridal shop but then you get off the box and walk around and you realise that having the turning circle of a 3.5 tonne van may not be ideal and that’s before we get to the thorny issue of trying to go to the loo. For some people that is their dream and that is brilliant! For me it would have driven me insane in about 5 minutes and I would have felt silly which is not what you want on your wedding day. I only know I don’t want that because I tried it on. So try everything. Try styles you think you’d hate. Try styles you’d never dream of. Try anything and be open to suggestions and then take a million photos. My core conclusions from my shopping trip were as follows:

  • Enormous dresses are beautiful but not for me.
  • Any dress with a corset or corselette is not the best friend of an asthmatic.
  • There is such a thing as too plain.
  • Ask your nearest and dearest to be honest with you and make sure they are on your wavelength. I picked up one dress and my sister remarked ‘it’s fine if you want to look like Glinda the Good Witch’ and she was unerringly correct. The thing is that wouldn’t have occurred to someone else but I would have realised I looked like that 5 minutes before going down the aisle so I’m glad she said it then.
  • First thought best thought. If you look in the mirror and think you look like a cake topper then move on, even if everyone else thinks you look stunning.
  • Make sure you can dance and breathe and move in the style you like.
  • Consider the cost of the fabric and the finish. My favourite dress I tried on was about 80% perfect. I liked the style as a starting point, I liked the way it made me feel, and I really liked that I probably wouldn’t need more than 4m of satin to achieve it. (Side note; the one in the shop didn’t have french seams for £1800 I would expect them on Satin?!)
  • Do not feel guilty for being fussy. You know the saying ‘measure twice, cut once’? Well when it comes to wedding dresses it’s more like a 100:1 ratio.

There are more shades of white than Dulux could dream of and that’s before you get to cream.

This may have been the part I found the most frustrating. Once you enter the world of wedding dresses white isn’t white. You suddenly get white, off-white, pure white, eggshell, ecru, blush (which is a pink type of white), and let’s not forget ivory. It is very very important than you choose the right colour. It’s also mind-numbing. Also bear in mind how colour and tone is created in a wedding dress. Particularly in more voluminous dresses the colour can be built by layer. A white overskirt and white tulle with a blush lining which would give an overall blush finish. The next joy on your plate is translating this to fabric shops who do not work to the same colour standards of the bridal industry, because NOBODY does. I went with a sort of vintage off-white. It looks nice next to my skin, it works well with the style of dress I am making, and most importantly for me, it was clearly identifiable in the fabric shop. All I’m saying with this one is mentally prepare yourself to care more about the colour white than you ever have in your life but also remember, it’s not that deep. What matters is that you feel comfortable wearing and working with your fabric. It’s not your job to sell yourself on the very specific tone of ivory blush that frankly doesn’t exist outside the lighting of that bridal shop. Take it back to basics.

It’s going to take months and you’ll still be working on it until the week before.

This is normal. This is unavoidable. You may buy a wedding dress a year out from your wedding but you’ll be in the shop 3 months before for alterations and 1 month out from your wedding you’ll still be getting any snagging done. This isn’t like any other project you will do. You will start a year out with the designs. You might even buy the fabric at this stage or go trawling through samples to find what you like. You’ll do a toile. You’ll love it. You’ll change it by a fraction and suddenly ruin the whole thing. You’ll move from messy toile fabrics to fabrics similar to your dress and the design suddenly won’t work. You’ll lose weight. You’ll gain weight. You’ll go on holiday. Life will happen. You will have deadlines that mean you have to put your wedding dress on one side for a month. Your opinions will change on how you want your dress to look and that is all natural and part of the process. I’ve had lots of people tell me I’ve left everything too late but no one else knows what too late means in your context. I don’t know if its because I am doing a PhD, which is the academic equivalent of sewing your own wedding dress, but I feel very sanguine about working through drafts and drafts for months whether its my thesis or my wedding dress. It makes it easier to know that you’ll be working on it constantly for 9 months to a year and even if you prepare and plan you will still be hemming it the week before so why stress? Which brings me on to my next tip.

Like any project, figure out how you work best.

This is starting to sound like an academic skills blog but read on I promise it’s about sewing. To be brutally honest if I had to sew my wedding dress everyday for a month I would go stark-raving mad. I’m not a little and often person when it comes to creating. Just as with my thesis I am a ‘think about it for 6 weeks then suddenly get struck by inspiration’ kind of person. I need thinking time. I need to mull. I need to consider what I like and what I don’t and crucially why I don’t like it. However this means that once I do decide what I want, I choose a day or a night (normally a night when Adam is out at Jujitsu) and just crack on for 4-8 hours. For someone else the way I work would be intolerable or frankly impossible. There are people who would love to chip away at the project every day. There are people who start their dress two weeks out. There are people who hand sew the entire thing (and to be clear those people are insane) but the point is, you have to figure out what you need and how you best work. I fully intend to go to the Southern Sewcial in October to finish off my panic sewing. I know there will be panic sewing so why not actually book in a day to do it!

Start Somewhere. Start Anywhere. Just Start.

Its daunting. I’m not going to sit here and say that it isn’t because it is. And frankly it’s supposed to be. You are preparing for a watershed moment in your life and most likely in your sewing career. It’s scary and do you know what? You’re allowed to stress. Even on your toiles you are allowed to stress about it but it’s so much more important to make some progress than none. People will build up wedding dress sewing as the be all and end all but it just isn’t. You are making a dress. You are putting a pattern together just like you do the rest of the time. If, like me, you had a couple of patterns as starting points then I recommend writing your own instructions as you go, but at the end of the day it’s just another sewing project. Admittedly the fabric is more expensive and the stakes are higher, but don’t let that deter you. Your first toile of your wedding dress is always going to be a proof of concept. You’ll love it. You’ll hate it. You’ll know what needs fixing. You’ll see the germ of your design starting the emerge. No matter what you have to start somewhere and it’s never going to be perfect the first time. My way of tackling the existential dread I had about starting? I put a 30 minute timer on and dashed out a full toile. It was basted together in rubbish acetate that cost me £4, the length of the front and back didn’t remotely match. The bust was too small. The train looked like a tiny puddle that had got caught in my sewing machine. The straps were wrong. The shape of the skirts didn’t match. But none of that mattered because I could see that my dress was in there and it would work out eventually. Think of it like a concept car. The doors may not open. None of the electrics are in it. It’s not truly a car. It’s an indication that your concept works and it gives you a road map.

Finally, remember that in a year’s time you will not care how long the seams took or how frustrating rouleau loops and covered buttons are, or how many toiles you went through, because its frankly the least important part of the day. Getting to walk down the aisle and marry your favourite person on the planet should not hinge on your dress. I would marry Adam in my pyjamas with no make-up on at a registry office at 10:00 in the morning on a random Tuesday with no one else there. It’s lovely to get to wear a beautiful dress and be surrounded by friends and family to celebrate your wedding, but never let the dress get in the way of the wedding.

P.S. If anyone, and I do mean ANYONE, decides to tell you how you could have made your dress better on the day of your wedding, have them removed from the venue.

New Year, More Sewing: My Sewing Resolutions For 2023

Well here we are again, a new year begins! I’m not going to say that ‘I’m back’ as in my experience any post that starts like that is cursed not to be followed up for 6 months but I will acknowledge that I have taken a break from blogging. The break roughly coincided with me writing my MA dissertation followed by my busiest work period of the year so entirely understandable but still I have really missed blogging.

As I write this I am sat on the sofa watching the original Mission Impossible (great film) and attempting to relax. In the days leading up to New Year I’ve been cleaning, tidying and rearranging my sewing space but today I just needed a moment to rest. Tidying the sewing space and moving the furniture around has been a great way to give the space a new lease of life as well as thoroughly evaluate what is still relevant to my sewing and what needs to exit stage right, as it were.

Last year was an interesting one for my sewing it has to be said. Recently I joined in a fun instagram trend and put together a reel of everything I have made this year. It showed me just how much I’ve grown and developed my sewing skills. 2022 saw my first trips abroad since I got back into sewing properly and allowed me to do some very fun holiday sewing. My first crack at swimwear was a massive success and I really enjoyed putting together me made holiday wardrobes for each trip.

The second edition of Sew Yellow for Endo raised £1075 for Endometriosis UK, 4 brave sewists spoke about their experiences with Endometriosis and over 150 sewists took part. Together we turned instagram yellow for the day and for that we should all be so proud. Thank you all for your time and effort and I can’t wait for Sew Yellow For Endo 2023! If anyone wants to sponsor please do get in touch as planning is starting this week.

2022 also saw collaborations with pattern brands such as Cashmerette and Tammy Handmade, Lush Cloth gave me the chance to be one of their guest bloggers, Orya Textiles gifted me some incredible fabric and helped me achieve one of my make nine, and I got to collaborate with fellow bloggers and vloggers in the sewing community, trying new patterns such as the Sicily slip dress with Tamlyn from Sewn on the Tyne and the Allie Olsen Highland Wrap Dress with Sew Do It Emma. I learnt so much from these collaborations and I would like to thank everyone I worked with in 2022 for their patience with me and my unpredictable work schedule!

So what’s next for So What If I Sew? 2023 is my year to shift my focus from work to my personal life, my relationships, my hobbies, and my habits. I hope to have lots more opportunities to collaborate with my fellow sewists and I’ve set myself another Make Nine challenge which you can hear all about over on YouTube, but I’ve also set myself two goals for my own sewing.


Sewing For All Seasons Not Just Summer

My handmade wardrobe is definitely more skewed towards the summer. I think mainly because summer fabrics are much easier to sew with. Cottons and viscoses are easier to work with and in my experience summer patterns come together much more quickly.

However this has left a gap in my wardrobe. I have very little outerwear, I have very few cosy makes, and almost nothing I’ve made in any stretch/jersey fabrics which tends to be what I wear from October to February. In the winter I’m all about jeans, heeled boots, cosy jumpers, and long sleeved tops, and the fact is that I am now able to sew quite a few of those items.

So this year I want to challenge myself. I’ve put the Atelier Jupe Alex Coat on my Make Nine, I’m also going to dive into a new t-shirt/3/4 length sleeve top pattern later today, and I have some incredible purple denim that I’m working up the courage to sew with.

In 2023 we will be going on a cold holiday for the first time in a while and we will be headed to Prague so the cogs are already turning trying to figure out which bits of my me made wardrobe will be suitable and what I can get made before we go! I don’t know about you but holidays can be great motivators to crack through some projects and get them into the wardrobe rotation.

So the goal for this year is to turn my attention to seasonal sewing and consider what I wear when and whether I can I can plug any seasonal wardrobe gaps with me mades.

I Need To Spend Some Time Understanding My Own Style

One of my first goals for my sewing was to create workwear I loved and felt confident in and after the last year I can put my hand on my heart and say I have achieved that goal. Now its time to zoom out a bit and think about what I like wearing. This year is all about work/life balance for me and as part of that I want to separate my work wardrobe from my personal wardrobe and make sure I have clothes that reflect my personality.

Back in October my friend Louisa and I did a massive clear out of my wardrobe and got rid of all the things that I no longer wear because they aren’t really my style. Now going forward I’m trying to figure out what my style is. I know what colours I like wearing which is a good start and I know that my style definitely changes between the seasons, I’m not a Pinterest girl with one year round aesthetic and colour palette.

In 2023 I’m going to experiment more and think about what clothes make me feel most “me” whatever that means and build a wardrobe for my personal and social life that make me feel as confident as my workwear wardrobe does. The measurable, because for me there has to be a measurable, is to finish the year with a mood board for each season of clothes that I love wearing and make me feel like me.


Above all I want to make sure that this year I take the time to enjoy the learning process as well as making garments that I want to wear. Currently I am working on the Closet Core Jasika Blazer and whilst it is difficult it is also an incredible learning curve and I feel so proud when I complete every step. I want a mix of quick win projects to help sustain my motivation and challenging projects that make me work my brain and on the completion of which I feel exceptionally proud.

So here’s to 2023 a year of creativity, connection, and continued sewing!

My Week In Sewing: Holidays, Bomber Jackets, and Summer Sewing

Hello everyone and welcome back to the So What If I Sew blog! We are back for another ‘My Week In Sewing’ except technically it is two weeks as last weekend we were away on holiday. It’s been an exceedingly busy two weeks and I have been really looking forward to sitting down on my sofa with a cup of tea and taking a moment to reflect and write this blog. As we were off work from Friday to Thursday and actually away Saturday to Tuesday, the weeks have somewhat blurred into one so I will do my best to separate them and remember the interesting things but honestly its more likely to be a thematic blog this week!

Last week(w/c 11th) I was working on an exhibition opening and I have to say my me-made work wardrobe really came into its own. I wore my second Chalk & Notch Fringe Dress – which to tell the truth isn’t completely finished( I still need to sort the sleeves) but I wore it anyway and no one noticed so I’m counting that as a win. Then for the night of the private view I got my favourite Nina Lee Portobello trousers out – stylish, elegant, and space for two phones and an epi-pen in the pockets and a radio on the waistband! Then on Maundy Thursday the sun shone and I unearthed a make I had completely forgotten about. This McCalls M7531 midi dress(shown on the left) in a super cute pink stripey ribbed jersey from Sew Much Moor. It was funny, I was sat in bed on Wednesday night trying to figure out what to wear, I was going into the office and then having dinner in London in the evening with a friend so needed an outfit to do both. Then as I scrolled through my instagram account my me-made wardobe came galloping to the rescue! This dress was made in October and the fabric is far too thin to wear in the winter so I had just sort of forgotten about it but I love that even though the fabric is lightweight, the length helps to keep you warm and cosy, I love how comfortable it is while still looking smart, and I love the colours. Now that this make has been brought to the front of the wardrobe, I know it will be getting top billing for the rest of the spring/summer.

One of the functions of these blogs is take a moment and think about my week. I know I mentioned I was starting to be a bit better about taking time for myself but this philosophy sort of dissolved in the run up to the holiday as so much had to be done before I left. However on reflection I did manage to take some time for myself before it all kicked off! I started last week with a relaxed Sunday at the hairdressers. My appointments take roughly 6 hours but I really value that time to sit and relax, to read a magazine, to get a bit of local gossip, and generally enjoy time that is truly my own. I had dinner with a friend that I’ve not really seen since January 2020 which was wonderful and on Good Friday Adam and I had a wonderful relaxed afternoon in town together. What originally was a quick admin trip for birthday presents and picking up shoes from Timpsons, devolved into a full day together in town including lunch out and some shopping for me – I managed with great difficult to stay away from the fabric shop but I am on a fabric ban until I have enough space to the fabric I currently own! I also managed to accept that I wasn’t going to be able to finish my purple satin dress in time for our weekend away so instead of stressing and beating myself up I decided to be kind to myself and I ended up buying a RTW jumpsuit(as shown below with the bomber jacket) and a red jersey dress. Both of which I adore and fit me perfectly! Thats the funny thing, when you fully stop shopping for clothes and sew most of your wardrobe, buying something RTW becomes a lovely treat. Something that happens once in a while and that I appreciate far more than I used to. I really enjoyed trying things on, thinking about upcoming makes and silhouettes but not feeling pressure to get anything just engaging with my love of clothes and treating myself after what has been a really intense couple of years.

My main sewing project last week was my first Cashmerette Club pattern, the Kimball Bomber Jacket. I used a ponte di roma jacquard for the main jacket, black ribbing for the cuffs, neckline, and waistband, and a cosy viscose for the sleeve lining. Looking at this garment both in photos and on the sofa next to me right now, I still can’t quite believe I made it. So lets talk construction details: this project involved bias bound seams, zip pockets, jacket zips, and it allowed me a first go at quilting fabric. The sleeves are made of three layers of fabric, an outer jacket layer, an inner lining, and then a layer of batting sandwiched between the two to give the sleeve some body. It also contributes to making the jacket super cosy to wear. I quilted it by eye which was tricky, as neither fabric would take chalk markings, but it worked out fine if a tiny bit messy and then literally yesterday while I was tidying I discovered that I have a quilting foot for my machine. That would definitely have helped!

The pockets were also a real learning curve, for some reason I really struggled to get my head around attaching the pocket bags for the zips, but sure enough doing just one step at a time and not reading ahead(not reading ahead helps me when I a overthinking and I just need to focus on the step at hand), the instructions guided me through and I have two excellent pockets. There are also loads of other techniques in this that were a little new to me such as bias bound seams – which I love! All in all it was a real journey and I’m incredibly proud of it. I mean…please don’t look at the inside or anything and its by no means perfect, but I am extremely happy with the result and I know its going to get alot of use this summer. I was so proud of it that I wore it out in London on the Saturday night and made Adam take photos of me against a cool black wall outside our hotel. I had a bit of a vogue moment and I regret nothing. Side note: do we love my new sunglasses? The result of over an hour trying sunglasses on at TK Maxx but I am very pleased!

The bomber jacket and jumpsuit emsemble was in honour Adam’s mum’s 60th Birthday, we had dinner with most of his extended family and then went to see Cabaret which was an absolutely wonderful production. If you get the chance to visit the Kit Kat Club at the Playhouse Theatre I thoroughly recommend it! Then on the Sunday we escaped to the countryside for a few days walking and relaxing at a country house hotel in the North Downs to celebrate our anniversary. On our way back through London on Tuesday we rounded the trip off with nearly two hours, and an ungodly amount of money, spent in the enormous Waterstones in Gower Street. All in all a wonderful weekend and very much needed! Since we got back earlier this week we’ve been trying to sort things out as between work, Adam and I being ill, my MA, and the holiday, we STILL haven’t finished unpacking the house after the move! I know everyone says that unpacking takes time but Adam and I are normally very very speedy unpackers so it is a little stressful that the flat still isn’t completely sorted. We will get there though and there really isn’t that much left to do, it just feels a lot at the moment – we shall prevail!

However I have had time to get some good sewing in this week! After work on Friday I got the overlocker out and finished all the seams on my white Marlo cardigan. Now I just need to decide whether I want to put buttons on it or if I’m happy with it as it is. I have also been beavering away at my Harriet Bra and I am pleased to report that I now have about 75% of an actual bra! The casing is going to be attached next and then elastic to almost every side and then I just need to wait for the rings and sliders to arrive so that I can attach the straps. Idiotically I used my original rings and sliders on my Friday Pattern Company Saltwater Slip Dress which I will be able to tell you all about next weekend. Yesterday evening I also managed a little batch cutting and cut out my next Cashmerette ambassador project – I can’t reveal the pattern just yet – and my Closet Core Pietra trousers which I’m hoping to start this week as well.

I even managed to get a vlog out this weekend! Head over to my youtube channel for updates on my favourite spring makes, my summer plans, and an update on my make nine challenge.

So its been a week (or two!) of bits and pieces. I’m sorry I don’t have anything more meaningful to discuss this week but I really do love these blogs as a way to chat to you all and give you little updates on my sewing. Sadly there will be no sewing for me today as I need to write 3000 words of my dissertation for tomorrow for my tutor to review – wish me luck! Its only my lit review and I have done a massive amount of reading and I’m also fully prepared that what I give her on Monday is very much a first draft and I will most likely edit it a further 6 times before my tutor does her second review. However there is just time to squeeze in this week’s favourite fabric and patterns!

Pattern of the Week: Absolutely loving the Cashmerette Vernon Shirt at the moment! I’m on a Cashmerette kick at the moment and I definitely fancy the idea of making a shirt with no gape and no pulling buttons!

Fabric of the Week: This Ecru Patterned Viscose from Sew Sew Sew has absolutely stolen my heart! I want culottes, I want a dress, I want a skirt, I want absolutely anything and everything in this fabric!

Anyway, I had better get on with my dissertation so thank you all for joining me again this week and I’ll see you next weekend for another My Week In Sewing!

Fabric Friday Reviews: The Makers Merchant

Happy Friday Everyone! It’s officially October now (somehow?!) and I have taken my first foray into stretch knits and cosy makes. My companion on this journey was a stunning light grey marl stretch knit from The Makers Merchant. My first purchase from them and I am thoroughly impressed! I would definitely like to revisit them for more fabric purchases in the future and I may explore their haberdashery for the hardware necessary for my Eden Coat.

The Makers Merchant

  • Online Shop / Physical Shop / Both
  • Web Link: https://themakersmerchant.co.uk
  • Core Purpose: Dressmaking Fabrics, Haberdashery and Crafts
  • Units of Sale for Fabric: 1/2 metre

Formerly Loubodu Fabrics, The Makers Merchant has expanded from just fabrics to a one stop shop for all of your sewing needs. There is a great fabric section, a fab haberdashery and a great pattern section as well. The team have clearly worked hard to create the kind of sewing shop we all wish was just down the road!

They have a wonderful range of fabrics and have a particularly good selection of jerseys, stretch and cosy knits. Fabric is sold by the half metre and while there is a fab selection, I’m not a big fan of their categorisation as you have to choose whether you want to look at plain or patterned fabrics before you can select a fabric type. I think its a case of personal preference in that it depends how you shop for fabric. Personally I don’t often know whether I want plain or patterned fabric until I get there, I prefer to see all the wool or all the kersey on offer and select from there. That being said their selection is very good, clearly curated but not too narrow. In terms of cost they are fairly affordable and do have a good range of prices to suit most pockets. There are cheaper suppliers out there but there are also more expensive ones, The Makers Merchant sit comfortably in the middle as a good allrounder. They do some excellent sales and I would definitely recommend them to beginners, especially if you are looking for your first stretch fabric project as their stretch fabric in particular is often cheaper than other suppliers and they have a good range. Delivery was very affordable at £2.50 for standard posting and was extremely speedy, although when it arrived there was no card or note from the supplier. Not necessary of course and doesn’t damage the experience but its always nice to get one in terms of purchase emotion and brand engagement.

It has to be said in terms of creative design I’m a big fan of the rebrand, I think its a better name and the logo is slick. The fabric photography is excellent and the aesthetic is pristine, the website looks gorgeous. However. There are some significant functionality issues. In terms of the parent site map, I don’t think there are sub pages for each section or if there are then the links in the menu are broken as when I tried to go to the haberdashery pages and look at fastenings I was unable to and it kept directing me back to the homepage, I was also unable to access the About page for the same reason. If there are no subpages that fine but then you shouldn’t be able to click on the subheading e.g. fastenings. Equally their FAQs are almost entirely focussed on the brand change and contain no practical consumer information about deliveries or refunds etc. In some ways I actually found their website worked a lot better on my phone however the payment window wouldn’t load properly so I did end up having to transfer to my laptop and pay in the desktop version.This may be a case of bedding in a new website and fixing but i think it should be addressed as its irritating especially when the actual products they sell are so good.

Rating

  • Range of Fabrics – 8/10
  • Cost – 7/10
  • Delivery (Speed / Cost) – 8/10
  • Ease of Use – 6/10
  • Ease of Payment – 5/10

Overall Score: 6.8/10

The Makers Merchant is a great shop that gives the online sewist a bit of everything and I can only imagine how nice the physical shop is! Their delivery is speedy and the service excellent. The only thing that bothers me about The Makers Merchant is some of the functionality of the website and the sitemap. The website has a few glitches and the payment interface sometimes struggles on a phone however it’s well worth persevering as the actual fabric and products they stock are of excellent quality and the range of affordable quality fabrics is superb.

My Top Tips To Sew Your Own Amaya Shirt

As my YouTube subscribers will know, I have just finished making the Amaya Shirt from Made My Wardrobe. Today I am mopping up, resetting my machine and trying to sort some other little projects/alterations/fixes which have been piling up for a while now. However, before I completely forget how I made it I wanted to share my tips, tricks and honest feedback on my making journey for the Amaya Shirt.

Firstly, here it is in all her gorgeous, flute-sleeved glory. Honestly I would never have thought of making this pattern originally, it was very much the case that the fabric came first. I bought this stunning red spot cotton from The Rag Shop with no clue at all what I was going to make with it. For transparency I almost never do that, I’m always very project lead but I thought, you know what? I’ve got to have it. When I posted about it online and asked for recommendations Steph from The Rag Shop got in touch and suggested the Amaya Shirt. I was intrigued and although its a little out of my comfort zone fashion-wise I decided to take the plunge.

It also took me out of my technical sewing comfort zone. My first proper top stitching, my first raglan sleeves, it was all a journey and I really made myself take my time. Especially as I knew that I didn’t have enough fabric to recut if I made a mistake. I’m really glad I took the time, doing only one or two pattern steps a day for a week. It was a lovely way to wind down from work each day and I feel like this is technically one of the best garments I’ve made because I didn’t rush a single step. So my first and biggest piece of advice I can give you is to take your time with this make, there aren’t many steps but they all require accuracy and care. Below I have linked my vlog so you can join me for every step of the sew and you can also see just how many grey jumpers I own as I change between days.

My Top Tips:

  • Draw The Line For The Front Opening – seriously, do this. I thought I wouldn’t bother but it requires a straight line stitched 4cm in from the edge which is surprisingly hard to do by eye and most machines don’t have markings that go out that far. This was made extra difficult on my fabric as its exceptionally hard to draw a straight line on Swiss Cotton! Regardless draw a solid or dashed line, its worth it for a garment feature that is so front and centre.
  • Really Press The Centre Front Open – While we talking about the centre front…before you start top stitching you absolutely must press it open thoroughly so that your facing and seam doesn’t bulge when you do the top stitching.
  • Finish All The Edges As You Go – Cards on the table, I’m straight up awful at finishing raw edges when I sew, honestly just awful, but I really made the effort with this garment partly because i didn’t want fraying but mostly because it actually really helps with the structure and the strength of the seams. I am particularly highlighting this as something you should as you go along because there are quite a few seams you can’t access once the garment is done if you were hoping to have a tidy up at the end. The pattern recommends overlocking but if you don’t have an overlocker then either you can zigzag or you can go on a voyage of discovery with your sewing machine and find out that it actually has four different overlock stitch options. (It’s the dream)
  • Gather Much Closer To The Neckline Edge Than You Think – Basically if you look at the outside of my garment the bind covers all the gathers, that is quite emphatically not the case on the inside. I did my gathers at the distance recommended by the pattern, or at least i think it did as I work in imperial and it only had metric, but at that distance it was impossible to enclose the gathers properly in the neck binding on both sides. So I would recommend sewing one row in the seam allowance and then other just beyond it. You will still be able to gather and you will be able to enclose both sides in the binding.
  • Go By Your Measurements – so I looked at the finished pattern measurements and was going to make a size down as they looked huge but when I looked at the body measurements I saw that they actually put me in the 10 bracket. I decided to go with the 10 because I would rather it fit my bust properly and then i could adjust other areas but actually i found it to be a really nice fit. its loose but you actually have enough room to move and the sleeves and bust line are both really flattering. My recommendation would be to pick the pattern based on your bust size and then work from there.
  • Print Out The Pattern Instructions And Highlight – For me the pattern instructions required a second and even a third reading as I found the prose of the instructions very unclear. That could just be me but if you do have the same issue I would recommend printing them out and highlighting the action areas just for the sake of clarity. The pattern makes a stunning garment but the instructions could be easier to understand.
  • Use A Fairly Structured Fabric – It really helps with the construction and the fit of this garment. I’m sure you could easily make it out of more slippery fabrics but I think a structured cotton, linen or chambray would be a good starting point for a first make of this garment and would show off its more flattering and exciting features.

Those are my top tips for working with this pattern, its a great pattern and I have worn mine loads since I made it so I would recommend it for all abilities. Check out my sew-a-long vlog below to see how I got on making the Amaya Shirt.

Sewing Project: Bias Cut Top – My First Attempt At Pattern Matching

My last project before I went away was a bias cut chevron top. This garment falls into the category of a simple yet deceptively difficult make. Now of course there aren’t many difficult techniques of garment construction involved, what makes this difficult is a) pattern matching and b) working on the bias.

Project Details

  • Pattern: Bias Cut Top, GBSB From Stitch To Style
  • Fabric: Daisy Striped Viscose, Rainbow Fabrics Kilburn

Step 1: Pattern Cutting

I kid you not it took me well over an hour to cut these pattern pieces and it was nerve wrecking. The aim of this garment was not only to create a top on the bias to create a chevron pattern from my striped fabric. On top of that, as you will see from the fabric below, I made things even more difficult for myself because my stripes were not even. They are in groups of diffident widths and numbers so matching to an incredibly long time. To pattern match a chevron on the bias you need to cut your pattern pieces at right angles diagonally, and honestly I used my first pattern pieces cut my second to ensure the match. Eventually I gained enough confidence in my matching skills and cut my pieces but it really was a learning curve. Pattern matching is something I’ve avoided for years because I didn’t think I could do it but this garment has increased my confidence and shown me that I shouldn’t be scared of new techniques! Everything is a chance to improve.

3 Things I’ve Learnt About Pattern Matching
  1. It takes TIME. Seriously it took me an hour to cut out my pattern pieces because I spent so long making sure that the stripes lined up. I made things even more difficult for myself than I realised.
  2. Iron your fabric beforehand to make sure that you can match accurately and remember to include your seam allowances.
  3. Transfer your directional markings on to the pattern pieces, it’s such a help when pattern matching on the bias and particularly when you are creating a chevron.

Step 2: Stay Stitch The Neckline

As always an incredibly important step but no less so when working on the bias as you want to make sure that your garment doesn’t warp. At the time I felt like Ihad done this well but afterwards I realised that it wasn’t my best work. This is entirely because I went to fast and allowed the viscose to slip and slide all over the place as it often does. Even more so when working on the bias. In fact this project has made me reflect on how rarely I cut anything on the bias. One of the wonderful things about this project is that it has helped me to understand my fabric better and the literal mechanics of fabric use.

3 Things I’ve Learnt About Working On The Bias
  1. There is a lot more mobility that you think there will be. Even in stiff fabric the bias still provides a lot of stretch so just imagine how I was working with a slippery viscose. I had to handle the fabric incredibly carefully to ensure it didn’t warp as I sewed it.
  2. If you’re pattern matching on the bias use a lot of pins and sew slowly. Louder for everyone at the back. Sew slowly, sew carefully, keep both hands on the fabric and match carefully as you go.
  3. Cut a single layer of fabric at a time and if possible use a rotary cutter and mat, this stops the fabric from shifting or stretching when you cut it.

Step 3: Centre Seams

Take your time matching your front and back centre seams and sew slowly with control. Make sure your machine doesn’t pull the layers of fabric apart at all and continue to check the match as you go. I went so slowly and carefully at the time I had to keep reminding myself to breathe but the sense of relief when I finished sewing and took it over to the iron was unbelievable. Remember to sew the back just as carefully at the front and if you want one tip, especially for matching chevrons, start sewing the seam from the top of the garment down, this makes sure that if anything does move it won’t spoil the finish at the neckline.

Step 4: Shoulder Seams & Side Seams

I forgot to take pictures of these as I went because I was so focused but here they are on the machine. Treat these carefully as you don’t want to warp the shoulder of the garment or stretch the silhouette. Shoulder seams press towards the back so you can include both sides of the seam in the neck bind and in the armhole hem.

Step 5: Bias Binding the Neckline

Now this top contained a lot of firsts for me, I’d never worked on the bias, I’d never done pattern matching and I’ve never really used bias binding let alone made my own. I’ve learnt a lot from this, I’m proud of my first go but it definitely isn’t quite right. When I look at the photo below and the garment itself I can see that I’ve bound the raw edge but not actually bound the neckline, you can’t see the binding which is a mistake. Next time I will definitely be pressing my binding more carefully so that its easier to use.

3 Things I’ve learnt about Bias Binding
  1. You’ve got to treat it gently especially if you’ve made your own and cut it carefully, its got to be even.
  2. Stitch slowly and carefully around the neckline so you don’t stretch it as you bind.
  3. Cut it carefully and iron it out fully before you fold it and then iron in the folds.

Step 6: Finish Raw Edges

The final step is just to finish the arms and bottom hem. Depending on the weight of your fabric you could use a double hem or, as I’ve done, just a quick rolled hem. Then you have your very own bias cut top!

I adore this top and I’m very proud of it but there are definitely a couple of bits I would change if I made it again. The fit is nice but I think the neckline is a little high for my figure so I would make it slightly deeper. My sewing has improved just making this top and I would definitely consider a garment with pattern matching again albeit with caution and careful fabric choice. Let me know what you think in the comments below, love pattern matching, hate it, have certain tricks you use? Tell me everything. Until then, go forth and pattern match!

6 Tips To Start Sewing: Advice for Beginners

Happy Sunday everyone, bit of a life update, this weekend I am writing to you from Essex! We have come to visit Adam’s family for a few days to get out of the house. For the first time in 5 months I’m somewhere other than our house, but we are still being very careful as I’m asthmatic and have been shielding. I was meant to be flying home on Thursday to see family however due to some moronic Aberdeonian footballers and my mum’s extremely vulnerability to covid, my trip has been cancelled. Adam’s parents invited us here instead and they even picked up us in the car to keep us safe! So Adam and I will be going for lots of walks in the Essex countryside, relaxing and getting some much fresh air.

Recently I’ve engaged with some fantastic makers on Instagram, both complete beginner sewists and very experienced dressmakers. I’ve given and received advice online and found so much inspiration for my sewing and it got me thinking. What would I have wanted to know when I started sewing? I was extremely lucky to have my very talented mum on hand teaching me the basics when I first started and I am still lucky that I can call her whenever I encounter a technique that I find vastly confusing. A lot of people don’t have that resource and there are so many different paths towards sewing, there is no right way as long as you are enjoying yourself thats all the matters. I was really interested to find out what advice others had for beginners and where better to ask than Instagram! I posted a question on my stories and I got loads of wonderful responses from a diverse range of sewists. I have collated their feedback along with thoughts of my own into the 6 tips below. Remember the best way to start sewing is just to go for it. Have fun and don’t feel bound

“Don’t be scared of your machine” – We have seam rippers for a reason

This is a major one because if you’re too scared of making a mistake you won’t enjoy yourself and you won’t progress. Just go for it! One of the wonderful things about sewing is that there are very few mistakes that can’t be fixed especially when you’re a beginner. If you’re worried start your sewing journey with stable fabrics like cotton and then when are happier with your skills you can move on to sloppier fabrics or fabrics that fray easily. Make friends with your seam ripper, you’re going to need it and remember that Even people who have sewed for decades still have t9 unpick things. It’s normal,it’s part of sewing so embrace the mistakes and learn from them. What I’ve learnt even in the last three months is that I need a roatarycutter for slippy fabrics, that you really really should prewash jersey/stretch fabrics and that I need a more ergonomic seam ripper!

If in doubt make a toile and use cheap fabric – “Don’t restrict yourself to pattern difficulty but use cheap fabric first

This was a great reminder that came through on Instagram, don’t just do the things that beginner plastered all over them. Sure it’s definitely a good place to start but don’t limit yourself. If you want to try an advanced pattern but you’re worried take it slow and make a toile. I make all,y toilets from calico because the stability of the fabric allows me to really practice techniques and see what they look like. Embrace your toile, I always use contrasting thread on my toilet so I can see what I’m doing wrong or how a finish looks. It helps to check how neat your stitches are and . As my mum once reminded me, if you’re making a calicotoile you can just write on it if you need to. Whether that’s writing front and back or in my case, right side/ring side when I was struggl with inserting sleeves. Your toile is your canvas to make as many mistakes on as you want. You don’t have to make one every time but if you’re worried it definitely helps.

“Youtube is your friend!” “Don’t be afraid to ask for help”

I chose to include both of these o the same line because they are the same. There is a massive sewing community out there full of experts, talented amateurs and literal dressmaking teachers. I promise someone else will have had the problem you’re having or is asking the same question as you. On my Instagram I always make a point of asking for advice and then reposting any advice I receive to help anyone else who is struggling. There are some wonderful youtube channels and blogs about techniques out there as well as workshops you can book onto in sewing studios across the UK. Videos are great if you want to clarify a technique, workshops are better if you want to learn to make a specific garment, e.g. the bra making workshop I went on in January, or to do a masterclass in garment fitting for example. Studios like The NewCraftHouse do loads of great workshops throughout the year and are well worth a look.

Get an iron – you think you don’t need one much BUT YOU DO

A few people mentioned this one in passing but I really wanted to focus on it. Most people think you only need a sewing machine to start sewing but thats not true, you must have an iron as well. You will use it just as much as your machine if not more sometimes. At the moment I am sewing with a lot of viscose and I honestly couldn’t manage without a hot iron on constant standby. Buy an iron on amazon and if you don’t have space for an ironing board, like me, get a table top ironing board or a reversible cutting mat that you can iron on.

“Pick a project you love and make it something you will actually wear”

This is super important. Don’t just make things because you need something to make, that way demotivation lies. When you having an inspired moment take a second to right a list of garments you’d like to make one day, they don’t have to be specific patterns, they can be things like; maxi dress, wrap skirt, blouse etc… so that when you aren’t sure what to make next you have a point of reference. Also save patterns or garments that you see on instagram to act as inspiration. Make things you are genuinely excited to wear, things you’ve always wanted but could never afford or could never find a version that fit you perfectly. You don’t just have to sew the exact pattern either, you can stick patterns together, remove sleeves, change hems, alter necklines, whatever you feel you need to do to make your perfect garment!

“Just go for it and remember to have fun!”

This piece of advice came from so many people but its also my number one tip. Unless this is your business, relax and have fun. Its a hobby! Don’t beat yourself up about every single mistake, have a laugh, unpick your seams and learn from it. Pick patterns you really want to make and fabric that makes your heart sing the same. Take your time choosing buttons, zips and threads, enjoy haberdashery, want that fabric? buy it. Have a dream garment you want to make? Go for it! Whenever you are feeling down or your sew-jo is lacking try to remember why you sew and crucially why you enjoy sewing. When I’m lacking motivation I like to pick a project I can do in one day, put my hair in a messy bun, get a massive cup of tea and spend the whole day sewing. Whatever you’re sewing remember to have fun and enjoy yourself.

I will keep consolidating information on my instagram so do give me a follow @sowhatifisew and check out my highlights where I always post any technical information. Above all sewing should be fun and relaxing so don’t be too hard on yourself if you’ve only just started. Next week when I get back from holiday I’m going to do a thread on Instagram asking for the stupidest sewing mistakes everyone has ever made so we can all have a laugh and learn from each other. Have a great week everyone and remember to have fun!

Fabric Friday Reviews: Sew Me Sunshine

Happy Friday everybody, you know what that means, its review day! This week we are talking about the wonderful fabric retailer Sew Me Sunshine. About a month ago, I bought two beautiful remnants from them and I finally got around to using both of them this week so I thought they should definitely feature next. 

Sew Me Sunshine

  • Online Shop / Physical Shop / Both
  • Web Link: https://sewmesunshine.co.uk
  • Core Purpose: Dressmaking Fabrics, Haberdashery & Sewing Equipment
  • Units of Sale for Fabric: 1/2 Metre

Normally I start by talking about the fabric range and quality but this week I am going to launch straight in to tell you how impressed I was by their delivery and packaging. They are the ONLY fabric retailer that I have used so far who has used completely sustainable and non-plastic packaging. My order came in a brown kraft paper bag and inside the order was wrapped in tissue paper. Free with my order I received a cute postcard and a project planning card which I thought was a lovely touch. The delivery was also very speedy considering the current circumstances!

Anyway on to the shop itself. The range of fabrics is excellent, its definitely on the pricier side but the fabrics are excellent quality and worth the money. When I was a complete beginner I wouldn’t have bought fabric there because I wouldn’t have made anything well enough to justify the expensive however as an intermediate sewist their choice of fabrics excites me. As we are in a pandemic and no one’s job is safe I am of course still cost conscious so I was just going to have a nose around the website and not buy anything, that is until I saw that they had a remnants tab. And oh my goodness, what remnants. Normally remnants areas have half a metre of this or a fat quarter of that, but they have a well stocked remnants section and I managed to get two amazing remnants, both about a metre for under £20 including delivery which considering the cost of most of their fabrics I was super impressed with. This week I used both of them for different styles of tops, the first to make my red batwing top and the second to make my new cream shell top (vlog coming out tomorrow!), and I can confirm that the fabrics are as good quality as they seem.

swipe to see both makes

One caveat is that both of my fabrics were types of viscose so I can’t attest to their other choices but I wouldn’t imagine they follow the same high standard. Their range of fabrics is good and they even have technical/outdoor fabrics which I thought was a nice touch. Not a massive selection but its nice to see them there. Fabric is bought by the half metre generally and delivery is a fixed cost of £3 and there is free delivery on orders over £60 a threshold which I personally feel is too high however i do admire their commitment to sustainability. Their website is bright and friendly and invites you in to buy more fabric from them. The web interface is excellent and payment was quick and easy which is all you can ask for really. I would say that I haven’t had the same engagement from them on social media that I’ve had from other brands, however they do have a business hashtag for makers #sewingsunshine where it is possible to win a gift voucher for £20.

Rating

  • Range of Fabrics – 8/10
  • Cost – 6/10
  • Delivery – 9/10
  • Ease of Use – 8/10
  • Ease of Payment – 8/10

Overall Score: 8.5/10

Overall Sew Me Sunshine are high on my recommended list, the provide a quality service in line with modern approaches to sustainability and they stock an excellent range of fabrics. Their stock is quite costly so approach with caution if you are a beginner and you aren’t sure of your skill level but also definitely raid their sale and remnants section, its well worth it. Sew Me Sunshine are an impressive brand and i love the little personal touches in the delivery and the about section on the website, you really get the impression that Harriet is someone who understands her client base and truly cares about customers. Now I’m off to raid their remnants section before I go on holiday and I will see you guys next week when we will discuss Sew Sew Sew!