My last project before I went away was a bias cut chevron top. This garment falls into the category of a simple yet deceptively difficult make. Now of course there aren’t many difficult techniques of garment construction involved, what makes this difficult is a) pattern matching and b) working on the bias.
- Pattern: Bias Cut Top, GBSB From Stitch To Style
- Fabric: Daisy Striped Viscose, Rainbow Fabrics Kilburn
Step 1: Pattern Cutting
I kid you not it took me well over an hour to cut these pattern pieces and it was nerve wrecking. The aim of this garment was not only to create a top on the bias to create a chevron pattern from my striped fabric. On top of that, as you will see from the fabric below, I made things even more difficult for myself because my stripes were not even. They are in groups of diffident widths and numbers so matching to an incredibly long time. To pattern match a chevron on the bias you need to cut your pattern pieces at right angles diagonally, and honestly I used my first pattern pieces cut my second to ensure the match. Eventually I gained enough confidence in my matching skills and cut my pieces but it really was a learning curve. Pattern matching is something I’ve avoided for years because I didn’t think I could do it but this garment has increased my confidence and shown me that I shouldn’t be scared of new techniques! Everything is a chance to improve.
3 Things I’ve Learnt About Pattern Matching
- It takes TIME. Seriously it took me an hour to cut out my pattern pieces because I spent so long making sure that the stripes lined up. I made things even more difficult for myself than I realised.
- Iron your fabric beforehand to make sure that you can match accurately and remember to include your seam allowances.
- Transfer your directional markings on to the pattern pieces, it’s such a help when pattern matching on the bias and particularly when you are creating a chevron.
Step 2: Stay Stitch The Neckline
As always an incredibly important step but no less so when working on the bias as you want to make sure that your garment doesn’t warp. At the time I felt like Ihad done this well but afterwards I realised that it wasn’t my best work. This is entirely because I went to fast and allowed the viscose to slip and slide all over the place as it often does. Even more so when working on the bias. In fact this project has made me reflect on how rarely I cut anything on the bias. One of the wonderful things about this project is that it has helped me to understand my fabric better and the literal mechanics of fabric use.
3 Things I’ve Learnt About Working On The Bias
- There is a lot more mobility that you think there will be. Even in stiff fabric the bias still provides a lot of stretch so just imagine how I was working with a slippery viscose. I had to handle the fabric incredibly carefully to ensure it didn’t warp as I sewed it.
- If you’re pattern matching on the bias use a lot of pins and sew slowly. Louder for everyone at the back. Sew slowly, sew carefully, keep both hands on the fabric and match carefully as you go.
- Cut a single layer of fabric at a time and if possible use a rotary cutter and mat, this stops the fabric from shifting or stretching when you cut it.
Step 3: Centre Seams
Take your time matching your front and back centre seams and sew slowly with control. Make sure your machine doesn’t pull the layers of fabric apart at all and continue to check the match as you go. I went so slowly and carefully at the time I had to keep reminding myself to breathe but the sense of relief when I finished sewing and took it over to the iron was unbelievable. Remember to sew the back just as carefully at the front and if you want one tip, especially for matching chevrons, start sewing the seam from the top of the garment down, this makes sure that if anything does move it won’t spoil the finish at the neckline.
Step 4: Shoulder Seams & Side Seams
I forgot to take pictures of these as I went because I was so focused but here they are on the machine. Treat these carefully as you don’t want to warp the shoulder of the garment or stretch the silhouette. Shoulder seams press towards the back so you can include both sides of the seam in the neck bind and in the armhole hem.
Step 5: Bias Binding the Neckline
Now this top contained a lot of firsts for me, I’d never worked on the bias, I’d never done pattern matching and I’ve never really used bias binding let alone made my own. I’ve learnt a lot from this, I’m proud of my first go but it definitely isn’t quite right. When I look at the photo below and the garment itself I can see that I’ve bound the raw edge but not actually bound the neckline, you can’t see the binding which is a mistake. Next time I will definitely be pressing my binding more carefully so that its easier to use.
3 Things I’ve learnt about Bias Binding
- You’ve got to treat it gently especially if you’ve made your own and cut it carefully, its got to be even.
- Stitch slowly and carefully around the neckline so you don’t stretch it as you bind.
- Cut it carefully and iron it out fully before you fold it and then iron in the folds.
Step 6: Finish Raw Edges
The final step is just to finish the arms and bottom hem. Depending on the weight of your fabric you could use a double hem or, as I’ve done, just a quick rolled hem. Then you have your very own bias cut top!
I adore this top and I’m very proud of it but there are definitely a couple of bits I would change if I made it again. The fit is nice but I think the neckline is a little high for my figure so I would make it slightly deeper. My sewing has improved just making this top and I would definitely consider a garment with pattern matching again albeit with caution and careful fabric choice. Let me know what you think in the comments below, love pattern matching, hate it, have certain tricks you use? Tell me everything. Until then, go forth and pattern match!